Living Carpet Collection

Living Carpet Collection on OpenSea.

The Living Carpet collection unfolds as a continuous, breathing field of images in which figures, masks, and faces are not depicted but invoked.

These digital animations do not settle into stillness; they murmur, ripple, and subtly transform, as though memory itself were being woven and unwoven in real time.

Across the collection, identity appears not as a fixed portrait but as a layered surface — a ceremonial textile where emotion, time, and presence are stitched together by motion.

Faces emerge and dissolve within dense, tactile patterns. Their features are fragmented, doubled, or partially veiled, suggesting inner dialogues rather than external likenesses.

Eyes glance sideways, lips hesitate between silence and speech, and profiles overlap as if several moments of perception coexist at once. This multiplicity becomes the visual grammar of the Living Carpet style: a refusal of singular perspective in favour of coexistence, tension, and resonance.

Colour operates as both atmosphere and meaning. Ochres, ambers, and deep reds carry ancestral warmth and corporeal memory, while indigo, turquoise, and pale whites introduce reflection, distance, and inward listening.

These hues move across the surface like currents rather than fills, behaving less like pigment and more like states of consciousness passing through the weave. The textured animation recalls textiles, ritual masks, and mural traditions, yet remains unmistakably digital — a contemporary loom threading past and present together.

The looping motion of each work functions as a quiet ritual. Repetition here is not redundancy but renewal: every cycle slightly alters perception, inviting the viewer to look again and notice what was previously unseen.

Time becomes circular, ceremonial, and inner. In this temporal structure, the figures seem aware of being observed, yet never fully reveal themselves, maintaining a charged distance that heightens emotional engagement.